The Master of Arts in Art History thesis track emphasizes training in academic scholarship and offers study in breadth through coursework and research in the preparation of a thesis. Students who plan to continue for a PhD or pursue a career in art history education typically follow the thesis track. Competitive applicants must have a good general background in art history. Applicants need not have an undergraduate major in art history, but should have a solid record of art history course work. This figure should serve only as a general reference point, however; we do not expect all applicants to have exactly the same background and course distribution as our undergraduate majors.
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Thesis Ideas | installation art, textile art, sculpture installation
Courses are designed to guide the artists far beyond the hobbyist stage to the role of visual communicator of ideas, concepts and passion through art. Students explore the subtle nuances and detail of aesthetic expression as they refine the practical application of science and technology in their work, conduct advanced thesis research and prepare for a solo gallery exhibition. Faculty members are accomplished ceramic artists and well-known specialists in areas such as East Asian coil techniques, structural strength, wheel techniques, large-scale stoneware and porcelain, ceramic engineering, wood firing, exhibition development and public art. Special course topics taught by distinguished guest artists add another dimension of experience and research. Small classes assure personal attention. Through study and studio work, and hands-on experience with these kilns, students produce a comprehensive body of work.
The Master of Fine Arts program in art requires a minimum of 60 s. The degree is offered with thesis and with emphases in the following studio art disciplines: ceramics, graphic design, 3D design, drawing, intermedia, jewelry and metal arts, painting, photography, printmaking, and sculpture. Transfer credit is decided by faculty review. Following completion of the M. The 60 s.
This studio-based program offers a contemporary, urban context for rigorous investigation and dialogue in support of individual artistic development. Graduate study—and the inherent invitation to take risks and reinvent personal processes and thinking—occurs in the privacy of individual studio spaces, through independent research and experimentation in consultation with faculty advisors, as well as through inspiring interaction with peers. Many MFA candidates also choose to enrich and broaden their practice through interdisciplinary work. Graduate students engage in independent studio work in ceramics, both on campus and off—through field research and participation in conferences in New York, Boston, Europe, Japan and elsewhere.